top of page
aws.jpeg

STREET
PHOTOGRAPHY

CRITICAL LINKS

& Artist Research Pages

MARtin parr-1.jpg
alex webb-1.jpg

Contact Sheets

MANCHETSER TRIP

Best Images

PEOPLE SHOPPING

STREET ANALYSIS

image.png

Robert Capa's renowned photograph, often referred to as "The Face in the Surf," captures a striking moment from the D-Day landings on Omaha Beach in 1944. The composition features a lone U.S. soldier wading through the water, embodying the tumultuous nature of the Normandy Invasion during World War II. The image's immediacy and apparent chaos are heightened by the sense of motion and the slightly tilted horizon, adding a dynamic element to the composition.

 

The content encapsulates the harrowing reality of the D-Day landings, portraying the challenges faced by Allied forces as they stormed the beaches. The solitary figure, amidst the turbulent waters, becomes a poignant symbol of individual courage and struggle against the backdrop of one of the most significant military operations in history.


 

Robert Capa's daring and immersive approach to war photography is evident in this image. The intentional blurriness of the photograph, a result of the chaotic conditions during the landing and Capa's use of a relatively slow shutter speed, adds a visceral quality. This choice to capture the moment in the midst of action emphasises the urgency and intensity of the situation. Shot on 35mm black and white film, Capa's use of analogue technology contributes to the timeless and grainy quality of the image, enhancing its emotional impact.

 

The mood is intensified by the deliberate blurriness, which conveys a sense of urgency and disorientation. The framing and composition draw attention to the soldier's struggle, emphasising the emotional toll of war. The black and white palette further adds a sombre and timeless quality, enhancing the gravity of the scene.

 

Set against the pivotal moment of the Normandy Invasion, this photograph captures the human side of war. As Robert Capa ventured into the heart of the action, he provided a unique perspective that goes beyond strategic considerations, offering a glimpse into the personal experiences of those on the front lines. The deliberate use of analogue film and the resulting graininess contribute to the image's authenticity and its ability to evoke empathy from viewers.

 

In the words of Capa himself, "If your pictures aren't good enough, you're not close enough." This quote reflects his commitment to being in the midst of the action, capturing images that not only document history but also evoke powerful emotions and convey the human side of war. The intentional blurriness, framing, and analogue techniques in "The Face in the Surf '' amplify the photography's impact, making it a timeless and emotionally charged testament to the realities of conflict.

"Kiss by the Hôtel de Ville" by Robert Doisneau, taken in 1950, is a seminal work in French humanist photography. Capturing a moment of profound intimacy, the photograph showcases a couple engaged in a passionate kiss on a bustling Parisian street near the Hôtel de Ville. The arrangement of the composition is candid and spontaneous, emphasising the connection between the two main subjects against the lively backdrop of the city.


In the post-war period, where the desire for a return to normalcy was prevalent, Doisneau's photograph became emblematic of hope, love, and optimism in France. The image symbolises the rejuvenation of life and the pursuit of happiness after the devastation of World War II. As one of the main representatives of French humanist photography, Doisneau employed his Nikon F and Leica 24x26 format to capture this iconic moment, using a medium-format camera known for its detailed output. The mood of the photograph is warm, affectionate, and optimistic. Doisneau's spontaneous approach, waiting patiently for the right moment from a

image.png

terrace, resulted in a composition that beautifully juxtaposes the intimacy of the couple's kiss with the dynamic urban environment.

 

In the words of Robert Doisneau himself, he once expressed his approach to photography: "The marvels of daily life are exciting; no movie director can arrange the unexpected that you find in the street." This sentiment encapsulates the essence of "Kiss by the Hôtel de Ville," where Doisneau captured the beauty of an unscripted moment, celebrating the resilience and simplicity of human connection amid the complexities of city life.

 

As the photograph remains a poignant representation of post-war France, it echoes the sentiments of everyday life being more valuable than gold during that period, emphasising the enduring impact of "humanist photography" in capturing the nuances of the human experience.

bottom of page